March 5, 2006
I took a midterm exam Friday in my photojournalism course, and in part of the test we were instructed to analyze both composition and newsworthiness of a certain photograph. The photograph was “The Viet Cong Execution,” the Pulitzer Prize-winning photo taken during the Vietnam War, which apparently helped change the perception of war for people everywhere. We’ve learned lessons about how to compose a photograph, but until I wrote about it in the essay-exam, I didn’t realize the strength of effectiveness carried through composition alone. This also lead me to think of media composition on the grand scale–mass media, particularly broadcast media.
First, the Viet Cong pic…Why did this photograph have such a strong effect on people? It’s an eye-level, medium-range shot. That’s nothing special on the photographer’s end. The moment itself was so intense that any added photographic effect would have taken away from the moment. At first glance of the photograph, you gasp a little bit. That’s because the power in the photograph is in the content, the subjects, the time and the place of the photo, not in the angles, the range, the lines or shapes–the composition. Because this was a regular eye-level, medium-range snap from a camera, it captured the image in the real context of the situation. The total perception and a one-word summary of the photo is “reality.” Because of this photograph, people everywhere for the first time understood the reality of war, and they realized it wasn’t a glorious thing. If the shot had been taken at a low angle looking up, or where it was zeroed in on the faces of the troop who’s about to shoot the Viet Cong, where the photo would have a more dramatic effect, the photo would have captured a had a totally different image of the war. The photo would be summarized as “dramatic,” and perhaps, so would war. Now, think of having a mass audience perceive war as “dramatic.” Wow. I don’t even think I want to know. Just to think of the detriment that could be caused if entire societies perceived war as dramatic is awesktrikinig. While writing my essay, I was suplexed me with the realization of the power of media. Media has total control, I believe.
Now, think of broadcast media the way we know it. We don’t watch C-Span that often because it’s boring and time-devouring. We will watch CNN, Fox News, the Today show, etc. for 30-second sound bytes of information, presented in a more entertaining manner. One thing Fox News always does that draws me in is run footage and commentary together for long periods of time. During the heat of the Hurricane Katrina bit, or 9/11, we were all glued to the tv. We wanted to see pictures and hear stories. The 24-hour news crews served us well then too. It’s often a number-one source to help people develop their perceptions, shape their opinions and develop their “realities.” But, this can be dangerous because it tends to make people vulnerable to skewed contexts and half-truths. The people with common sense will recognize Fox News and CNN commentators strongly emphasizing support for a certain political party. You can hear it in the tone of their voice and the use of their language when a Fox News commentator talks about Republicans and then about Democrats. But, I don’t know about you, but I expect the images and footage they show to tell the truth. What about when that’s skewed? It’s not always easy to determine truth from drama with the images. The composition of a photograph or footage on a news broadcast tells a story, but I’ve come to discover it may be a pretty big stretch of the truth.
At one point, the Fox News crew was riding through the streets of New Orleans in a boat, talking about the amount of water in the city, and it being a “soupbowl” holding this city under water, and people being trapped in their attics and on rooftops because the water was so high. They were riding in the boat to film the area. Well, someone walked into the shot, and you could see the water wasn’t even knee-deep, and you could tell that that area was not worthy of a boat and oars. What a skewed perception of New Orleans to millions of concerned viewers and opinion leaders!
It’s the opinion leaders who are able to get the help where the help is needed for those people. So, for them to have a skewed vision of the situation and then relay that message to officials, it slows the process of getting aid in the right places for the right people.
Personally, I find entertainment news to be garbage because it’s so full of bias and opinions. However, it’s powerful. Photojournalism is even more powerful because we rely upon a picture to tell us the truth. It’ scary to think how photojournalists are abusing that power by skewing the truth and creating a picture that’s out of context.